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Dear Wikipedia readers: We are the small non-profit that runs the #5 website in the world. We have only 175 staff but serve 500 million users, and have costs like any other top site: servers, power, programs, and staff. Wikipedia is something special. It is like a library or a public park. It is like a temple for the mind, a place we can all go to think and learn. To protect our independence, we ll never run ads. We take no government funds. We survive on donations averaging about $30. Now is the time we ask. If everyone reading this gave $3, our fundraiser would be done within an hour. If Wikipedia is useful to you, take one minute to keep it online and ad-free another year. Please help us forget fundraising and get back to†¦show more content†¦Furthermore, Huxley argues that essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference. These three poles (or worlds in which the essay may exist) are: The personal and the autobiographical: The essayists that feel most comfortable in this pole write fragments of reflective autobiography and look at the world through the keyhole of anecdote and description. The objective, the factual, and the concrete-particular: The essayists that write from this pole do not speak directly of themselves, but turn their attention outward to some literary or scientific or political theme. Their art consists on setting forth, passing judgement upon, and drawing general conclusions from the relevant data. The abstract-universal: In this pole we find those essayists who do their work in the world of high abstractions, who are never personal and who seldom mention the particular facts of experience. Huxley adds that the most richly satisfying essays are those which make the best not of one, not of two, but of all the three worlds in which it is possible for the essay to exist. The word essay derives from the French infinitive essayer, to try or to attempt. In English essay first meant a trial or an attempt, and this is still an alternative meaning. The Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work